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Perry Bard has exhibited video and installations internationally: at the Museum of Modern Art, New York, Scanners Video Festival at Lincoln Center, PS 1 Museum, Reina Sofia Museum Madrid, Frac des Pays de la Loire, Sao Paolo Biennial, VideoBrasil, the Southeast Museum of Photography Florida, MOCA Georgia, Cinema Rex Belgrade, 25th Viper Basel Switzerland, Ostrannenie Electronic Media Forum amongst others. She has created site specific public video installations for the Staten Island Ferry Terminal Building in New York and for Market Square in Middlesbrough UK. Public works about the U.S. intervention in Iraq include a mobile billboard, magazine ads and coffee cup sleeves all featuring artifacts missing from the Baghdad Museum. Her current web and public space project 2008:Man With A Movie Camera is a participatory global remake of Vertov’s 1929 classic; a website at http://dziga.perrybard.net contains a scene index and shot list where people can upload footage to become part of a worldwide montage. Her work is featured in Digital Currents: Art in the Electronic Age by Margot Lovejoy, and has been reviewed in Artforum, Art in America, Flash Art, Lapiz, Springerin, The New Art Examiner.
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