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Born and educated in Chile, Iván Navarro has lived and worked in the United States since 1997. His body of work straddles two visual cultures; he engages the concerns and subjects of his homeland while simultaneously participating in a dialogue with American art movements.
Navarro uses electricity and industrial materials to investigate larger power systems at work in society. The viewer is poised at the threshold of these illusionistic spaces, between inside and outside, a position that has social, cultural and economic implications.
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